EVERETT SPRUILL ~ FINE ART
Boundary: Bleed area may not be visible.
by Everett Spruill
$17.00
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The Center for Disease Control has recommended the use of cloth face masks to help fight the spread of COVID-19.
This face mask is made from 100% polyester and includes two ear loops with adjustable grommets for a comfortable fit.
The printed area of the mask is approximately 7" wide by 5" tall. This mask fits well on adult mens' faces without the grommets but, due to the adjustable grommets, can be worn snuggly by adult women, as well.
Please note - this is NOT a surgical grade mask. It is not intended for any medical or commercial uses, whatsoever. It is a simple, cloth mask designed for everyday use to cover your mouth when out in public. The mask should not be used in any medical or surgical setting.
We make no warranties that the mask prevents infections or the transmission of viruses or diseases.
Design Details
Stolen Legacy delves into the profound impact of slavery on African Americans, exploring the erasure of their cultural heritage and the theft of... more
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"Stolen Legacy" delves into the profound impact of slavery on African Americans, exploring the erasure of their cultural heritage and the theft of their identity. The artwork employs a combination of abstract elements and symbolic imagery to convey the loss experienced by the community. Subtle hints of ancestral connections and fragmented cultural symbols are juxtaposed with darker, more oppressive tones, reflecting the theft and destruction of African traditions during the era of slavery. The painting serves as a reminder that reparations are not only about financial compensation but also about restoring the stolen legacy of African Americans.
40" x 60" colorful contemporary abstract/expressionist painting by Everett Spruill, created with mixed media with fabric, acrylic, enamel, and paper on canvas.
Everett Spruill was born in Birmingham, Alabama 1954. Earned a degree in Business Management from Berea College, Kentucky 1976. As a youth Everett spent many afternoons at the Birmingham Museum of Art. The museum and his early exposure to classical music would prove to have a great influence on his artistic development. "Mom worked at A.G. Gastons' Lounge in the afternoon, I’d wait for her at the Museum until she got off …the Museum was my refuge and fueled my love for art. I really enjoy working with my hands, drawing and wood working projects were part of our “Industrial Education during the 60’s. I also had an ear for music so mom insisted I have voice and piano lessons". For more than 30 years Everett, a self-taught artist, has...
$17.00
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